Not only birds but humans can
also fly
Dr. Ksenia Kisselincheva
Lachezar
Boyadjiev is a Bulgarian sculptor who lives in the San Fransisco Bay area. One of his works, called “Angels” has been
appreciated by Hillary Clinton and has been installed in the White House. He
has studied glass sculpture under the renowned Czech professor Stanislav
Libensky, so he fell in love with glass as the only material to work with once
for all. He defected to the US
in 1986 and has since made San
Francisco his home. It’s difficult to enumerate all
the high awards he received, among them the Award of Excellence of the Habitat
Galleries in Michigan .
It is even more difficult to count his solo exhibitions - they range from Cleveland , Ohio to Toronto in Canada ,
from Hamburg in Germany
to Amsterdam in Holland .
His works
have traveled across the world in selected group exhibitions covering from much
of Europe to China and Japan . Many of
his works make part of permanent collections in reputable museums across the US and Canada ,
across Europe, South America, Asia and Australia .
We are
sitting on a bench outside the Fine Arts Academy in the prime of spring with all
the havoc of the heavy traffic which effectively muffled the twittering birds.
Lachezar is a very spontaneous guy who does not put on airs and is very
down-to-earth. I’m testing the ground cautiously, trying not to be too
provocative or too indiscreet.
“What
urged you to go back to the start of your creative journey, having in mind all
your commissions in the US ?”
“I did it
for sentimental reasons, mainly because I started from here as a student in the
Academy of Fine Arts . My father was a photographer
and he was at the centre of the art scene of the time. So, I grew up in that
atmosphere, which had a tremendous impact on my development as a would-be
artist. When I returned here after I graduated in Prague in 1986, I realized there was no
freedom of expression whatsoever. So, a Chech friend and colleague wrote to me
“Why don’t you come to San Francisco ?”
And off I went with two suitcases and a bundle of dreams.”
“Was it
much harder to assert yourself as an artist there just because you were a
foreigner?”
“On the
whole, Americans are very open. So, if you are persistent in pursuing your
goals, you can make it. At first, I worked for three years at a studio just
with my hands - cutting, grinding, polishing glass for art objects. But, after
work, I could use the studio to do my own work.”
“Which are
the best moments you experienced on coming back?”
“Oh,
definitely meeting the people I haven’t seen for a long time. Svetlin Roussev,
my teacher from the Academy, opened the exhibition and said some very
insightful words about my work. My deep motivation in doing this exhibition in Sofia was to pay a
tribute to my father, who helped me discover the artist within myself”.
“Are you
planning to exhibit somewhere else round the world?”
“Yes, in China , during
the Olympic year. I want to return to the Asian markets. I have already been in
Japan
twice.”
“It’s a
challenge to face up to a completely different artistic sensibility and
tradition. I think there is something very exquisite and spiritual about your
work which will probably appeal to Asian cultures.”
“I can’t
wait to go there. It’s an adventure I’m looking forward to.”
“There is
a distinctive feature, uniting all your work - a dynamic energetic quality of spiraling
upwards, as if striving to reach the skies. It provokes a peculiar sense of
spiritual urge within the viewer, for an instant his soul seems to take to an
exhilarating flight.”
“It’s
God’s gift to be a kind of a mediator between earthly things and the parallel
spiritual worlds, all around us. If I manage to make people feel a spiritual
dimension to their existence, I have fulfilled my mission.”
“There is
a luminosity, radiating from your sculptures. Does it have anything to do with
your personal religious experience?
“It all
comes from God and it takes root in my imagination. All my work is a
celebration of God and the mystery of Creation. Sculpture is like music in
space and for me the best expression of my voice is the combination of
monochromatic color with shapes, molded in glass.”
“Lately
you have been returning here more often. Every summer you and your family
return to your cottage in Balchik on the Black sea .
What drives you back to your native land?”
“With
advancing age, this sense of belonging grows stronger and stronger. Bulgaria has
changed a lot, in some respects for the better. You can express yourself
freely, without being punished for it. It is much more part of the global
cultural village.”
“Are you
planning a show somewhere else in Europe ?”
“Probably
in Amsterdam again by the end of the year - I
love it there because it is definitely one of the artistic capitals of Europe . But, actually I want to expand to more countries
- like China , Indonesia ,
South Korea etc. I’m lucky to feel a citizen of the world.”
“Do you
listen to music while you do your drawings in pencil and charcoal?”
“I listen
to music all the time, from the moment I wake up to the moment I go to sleep. Especially
while I’m at work. I listen mostly to classical music, but at times to jazz or
Latino-it depends on what music agrees with my specific vision and mood.”
“How much
do you devote to your family – you are a proud father of three boys and a
girl.”
“I spend a
substantial part of my time with my family. I try to pass on to my children the
values I have grown up with. The values that come from my parents, especially
my father. I try to teach them to work hard, to be honest and truthful. To do
everything to the best of their abilities. And, not necessarily, to expect an
immediate return. I’m telling them, “sooner or later, it will come back to
you.” I think my personal example matters a lot. So, to be a parent involves a
huge responsibility.”
“Are you
optimistic about the future of mankind, minding the pile of global problems on
the threshold of the 21st century?”
“Yes, I’m
fairly optimistic. There are no problems, only solutions. Solutions to be found
with the help of science and technology. Mankind is to be around for much
longer.”
Ending my
working day on a bright note, I plunged into the traffic nightmare and headed
home. All the time I had the feeling I was hovering above the fumes and horns,
probably because I have been in touch with a truly creative spirit. A person
who is genuine and level-headed and has none of the affectations of a
particular breed of artists who seem to always pose for posterity.
Sofia Echo
Weekly, 2010
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