A LIST OF SELECTED PUBLICATIONS
of Dr.
Ksenia Kisselincheva
1.
“Red Roses for the Green Crow”, a literary profile of Sean
O’Casey – The Theatre monthly, 1980, issue 11
2.
“The Drums
of the Red Bard”, Literaturen Front weekly, 04.09.1980
3.
“The
Solitary Titan”, a literary profile of Eugene O’Neill, Literature Front weekly,
01.01. 1979
4.
“A
Comparative Study of Certain Thematic and Stylistic Trends in the Naturalistic
plays of Sean O’Casey and Eugene O’Neill”, provided to The Literary Theory
magazine, 1986 (unpublished)
5.
“The
American Dream in the Modern Tragedy “Desire Under the Elms” presented to a
national conference of literary studies in Sofia University, 1986
6.
“The
Correlation between Narrative Method and Artistic Vision”, provided to The
Comparative Literature journal, 1985 (unpublished)
7.
“Realistic
Symbols in Post World War II American Drama”, The Theatre monthly, 1985,
issue 12
8.
“Some
Specific Features in the Reception of Expressionism in S.O’Casey and
E.O’Neill”, Bulletin of the National Centre for Scientific and Technological
Information”, 1986
9.
“The Function of Key Repetition in “Desire
Under the Elms”, Bulletin of the National Centre for Scientific and
Technological Information, 1987
10.
“Monologue
in Contemporary American Drama”, Literary Theory magazine, 1989, issue 2
11.
“Ernest
Hemingway - Reality and Myth”, Mladej weekly supplement, May 1989
12.
“George Orwell’s
1984-the Evolution of Black Utopia”, ABC Literary weekly,1989
13.
“All the
King’s Men”, a review, ABC Literary weekly, 1989
14.
“Julian
Barnes and the Contemporary Literary Scene”, ABC Literary weekly, 1990
15.
“Looking
Back on the Literary Decade with Graham Swifte”, Panorama magazine, 1990
16.
“A
Serious Game” - Julian Barnes on the Nature of Literature, ABC
Literary weekly, 1991
17.
“True to
the Complexities of Life”, Interview with Graham Swifte, ABC Literary weekly
18.
“By the
Fireplace with Julian Barnes”, a program in two parts for the Bulgarian section
of the BBC World Service, 1992
19.
“The
British Fringe Theatre”, a program in two parts for the Bulgarian section of
the BBC World Service, 1992
20.
Stefan
Tzanev’s “Paranoia” at the Royal Court Theatre, Radio Free Europe, 1992
21.
Peter
Hall’s Production of “The Rose Tatoo” in West‑end Theatre, 1992
22.
Peter
Hall’s Production of Harold Pinter’s “Homecoming”, The Fax weekly, 1991
23.
Talking
to Margaret Drabble, The Literary Forum weekly, 1992
24.
“Talking
to Iris Murdock”, 21st Century weekly, 1992
25.
“Three
New Musicals in Westend Theatre”, a program for BBC World Service, 1992
26.
“At the
Canal Café Theatre” in London, a program for the BBC World Service, 1993
27.
“Harold
Pinter in Sofia” 21st Century weekly, April 1995
28.
“Only
Birds and People Can Fly”, a profile of Hristo Boytchev, Spot On magazine, June
2004
29.
“British
Experimental Theatre”, Spot On magazine, July 2004
30.
“Monologue
In Harold Pinter’s Drama”, provided to The Literary Theory magazine 2006
(unpublished)
31.
“Harold
Pinter’s Influence on David Mamet’s Stylized Dialogue”, Proceedings of the 9th
International Conference of the Bulgarian Society for British Studies, volume
2, 2007
32.
A Review
of
the Specific use of Pauses and Silences in Samuel
Beckett,
Harold Pinter and Edward Albee, Proceedings
of the 10th Conference of the Bulgarian Society for British Studies,
volume 3, 2008
33.
„A comparison between “Stephen Hero” and “A Portrait of the Artist
as a Young Man” (two versions of a James Joyce’s novel)”, Master’s Thesis,
Sofia University ”St. Kliment Ohridsky”, Faculty of Western Philologies, April
1974
34.
"Проблеми в драматургията на Юджийн О'Нийл и Шон
О'Кейси", дисертация за присъждане на научната степен "кандидат на
филологическите науки", София, дек. 1985 ‑ ян. 1986, Единен
център за език и литература, Институт за литература, Секция по сравнително
литературознание.
